Connie Han Enters the “Crime Zone”

Connie Han001

CRIME ZONE / WYSASKE-HAN: Another Kind of Right.+* Crime Zone.* By the Grace of God.* Southern Rebellion. Gruvy. Member This. Extended Stay. SONDHEIM: Pretty Women.* J. HENDERSON: A Shade of Jade. PEARSON: Is That So?* / Connie Han, pno/Rhodes; *Walter Smith III, t-sax; +Brian Swartz, tpt; Edwin Livingstone, bs; Bill Wysaske, dm / Mack Avenue MAC1140

Connie Han is a young jazz pianist who presents here an album of somewhat mainstream jazz, most of it co-written and arranged by her drummer, Bill Wysaske. She has a light touch, playing in a style that uses fairly wide intervallic leaps on the keyboard in her improvisations. I hear some Chick Corea influence.

Her backup band is talented, including trumpeter Brian Swartz on the opening track and tenor saxist Walter Smith III on five. My sole complaint is that some of the originals on here tend to sound alike in tempo, key and style. One gets the impression of good, solid “club jazz” played in a very professional manner, and although the individual pieces lack originality they are certainly nice to listen to because Han’s improvisations are so strikingly original. In the somewhat unmelodic ballad Pretty Women (not surprising, to me, that it was written by the minimally talented Stephen Sondheim, one of the most overrated talents of our time), she elevates the music through her reworking of it. The Wysaske-Han original Southern Rebellion really jumps, and on Gruvy bassist Edwin Livingstone has a very nice solo chorus. Han plays more forcefully, and with a funkier groove, on A Shade of Jade.

The music thus proceeds in this manner throughout the album. Were Han and Wysaske more creative in their writing of original tunes, I would surely give this CD a higher recommendation, but for the most part it is Han’s solo playing, and some of Smith’s saxophone solos, that are most of the show.

—© 2018 Lynn René Bayley

Follow me on Twitter or Facebook @Artmusiclounge

Return to homepage OR

Read my book, From Baroque to Bop and Beyond: An extended and detailed guide to the intersection of classical music and jazz


Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s